Quelle surprise!
Es ist immer ein Vergnügen, das Neusprech der Borgitektur zu lesen. Wir genießen ins besonders den Widerspruch und Gegensatz zwischen Wort und Wirklichkeit. Auch höchst angenehm zu lesen ist der Versuch Dummheiten und Häßlichkeit anders als sie sind: nämlich: Dummheiten und Häßlichkeit--mit einer großen Portion Egoismus und Borg Überheblichkeit.
Hier haben wir einen Bericht in der New York Times über "The Prada Foundation’s New Arts Complex in Milan." Wir schreiben später über das Wort 'Complex'. Hier genießen wir einfach den Widerspruch und den Gegensatz.
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Hier haben wir einen Bericht in der New York Times über "The Prada Foundation’s New Arts Complex in Milan." Wir schreiben später über das Wort 'Complex'. Hier genießen wir einfach den Widerspruch und den Gegensatz.
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"The Prada Foundation’s New Arts Complex in Milan."
"Seven years in the making, the new art complex includes original industrial buildings juxtaposed with dramatic new ones. [gesamter Artikel HIER]
"On a recent spring day, Mr. Koolhaas, in a hard hat and mud-covered sneakers, was surveying the construction. “People talk about preservation, and they talk about new architecture,” he said, standing in the middle of the courtyard pointing out the functions of each building. “But this is neither. Here new and old confront each other in a state of permanent interaction. They are not meant to be seen as one.”
"The original 1910 distillery — seven spaces including old warehouses and brewing silos — has retained its raw, industrial and often quirky qualities. Some of the spaces are as Mr. Koolhaas found them; others have been reconfigured but look as though they haven’t been touched. The three new buildings are made of glass, white concrete and an aluminum that has been “exploded,” as Mr. Koolhaas described it, so that it has an airy, foamy surface. One is a large exhibition pavilion for temporary shows; another is a nine-story tower that will house long-term installations and a restaurant; the third building, the theater, has mirrored, stainless steel folding walls, allowing the space to open onto the courtyard for outdoor performances."
"Seven years in the making, the new art complex includes original industrial buildings juxtaposed with dramatic new ones. [gesamter Artikel HIER]
"On a recent spring day, Mr. Koolhaas, in a hard hat and mud-covered sneakers, was surveying the construction. “People talk about preservation, and they talk about new architecture,” he said, standing in the middle of the courtyard pointing out the functions of each building. “But this is neither. Here new and old confront each other in a state of permanent interaction. They are not meant to be seen as one.”
"The original 1910 distillery — seven spaces including old warehouses and brewing silos — has retained its raw, industrial and often quirky qualities. Some of the spaces are as Mr. Koolhaas found them; others have been reconfigured but look as though they haven’t been touched. The three new buildings are made of glass, white concrete and an aluminum that has been “exploded,” as Mr. Koolhaas described it, so that it has an airy, foamy surface. One is a large exhibition pavilion for temporary shows; another is a nine-story tower that will house long-term installations and a restaurant; the third building, the theater, has mirrored, stainless steel folding walls, allowing the space to open onto the courtyard for outdoor performances."
